Baby-faced Gilles (Cyprien Fouquet) and Christine (Virginie Ledoyen) are always in trouble. When they steal stacks of records at the music store, Christine ends up getting caught. She pulls some wild stories at the police station about a store security guard mistreating her sexually. Their parents don't know what to do with them. Christine's dad, who owns a hardware store, sends her to a mental asylum. He's done it before. Gilles, who's from a more privileged background, will be sent to a boarding school if his shenanigans keep up. Christine's mom and her boyfriend chastise Gilles;It might be a silly game for him, but for Christine, he is toying with her life.
Christine breaks out of the asylum, ends at the party in the woods where young ones hang out. There's Bonfire, drugs, alcohol and music. Christine asks if Gilles wants to run away with her to some artist colony that her friends live in. There won't be running water or electricity or phones. It will just be her and him. He hesitates first, then says yes.
Always in tight close up with a handheld camera, Assayas creates a raw, intimate portrayal of young rebels without a cause. Their pledges of love and promises seem as fleeting as the water stream Christine bathes in. L'eau froide, epitomizes the adolescent genre French cinema is known for. Ledoyen has the same rawness and volatility of Sandrine Bonnaire in A nous amours and stunning in her youthful beauty. The fitting soundtrack consists of many of the 60s rebel anthems by Joplin, Dylan, Cohen, Twisted Sisters and more.
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