When you talk about films of Kore-eda Hirokazu, they are typically self contained, uncomplicated, affecting little perfectly made films. There is usually a crisis in the family - death, disappearance, divorce, economic hardship etc. The emotional clutch always is the innate goodness in children that gets us teary eyed at the end. The grownups in his movies learn something from children. The world is good again. The end. But the children in turn are left with their own devices to deal with agony of time, of growing up. In lesser successful (if you could call them that because he never makes bad movies) Kore-eda films tend to end with unresolved issues, narratives, feelings. Adults are children themselves who were forced into adulthood. Those are usually the best of his films. After the Storm, with a less than perfect, slight and messy narrative (for Kore-eda standard), upon reflection, is one of his best.
He has always been a supporter for concept of choosing the family instead of family through blood- nurture over nature. So is the premise of Shoplifters - a widely uneven lecture about 'the family is what you make of it' in modern society. A couple with a dark past, played by Franky Lily and Ando Sakura, has been collecting neglected, abandoned children along with a not blood related grandma (Kiki Kirin), as a makeshift functioning family unit, working menial jobs in a squalor. They substitute their meager incomes with shoplifting. You know something is gonna go wrong. You know this won't end well.
As always, child actors are spectacular in Shoplifters, especially Kairi Jyo who plays Shota. An abandoned young boy who got picked up by the couple, only knew them as family and shoplifting as only means of survival, Shota has a revelation that something is not right when the couple brings in Yuri, a neglected, recipient of domestic violence from the neighborhood. He feels it's wrong to be teaching Yuri how to shoplift. She needs something better than this. And oh god, Ando Sakura is a national treasure. She is amazing in this.
'Something better than this' is the theme in Shoplifters. Adults in the film are not angels. They consciously or unconsciously shoplifted children to make a family. But Kore-eda doesn't want to go psychoanalytic here. When it's all said and done, again, we adults learn things or two and children are left with their own devices to fend for themselves, like, for real. The film is unusually messy for Kore-eda. The ending is just as harrowing as Nobody Knows and not emotionally satisfying at all. But I'd take messy Kore-eda anytime over tidy Kore-eda.
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