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Armand reminded me of another Scandinavian film with the similar subject, Thomas Vinterberg's The Hunt, starring Mads Mikkelsen, a kindergarten teacher accused of a sexual abuse by a young girl, which turns out to be a little lie. A grandson of Liv Ulmann and Ingmar Bergman, Tøndel, a young Norwegian filmmaker, shows his pedigree with Armand. The filmmaker uses those empty interiors to his advantage (with DP Pål Ulvik Rokseth), playing with silhouettes and focus shifts.
Directing the actors, with simmering tensions and emotional turmoil dealing with such a delicate subject, Tøndel shows a firm grasp of working with seasoned actors. For Reinsve, it's a very hammy role, balancing between a seductress and an innocent woman who is persecuted by her looks in a physically demanding role. And she gives it all.
Armand is a tense movie with warring factions calling for blood. But it also leaves some room for poetic moments of reprieve as Elisabeth dances with the school's custodian with a broom and an intense physical altercation fantasy sequence near the end involving Elisabeth and a group of parents who were there to recap the school year with the administration who just heard about the accusation. The scene where everyone's hands are on Elisabeth, poking, nudging and grabbing her, is reminiscent of the scene from Repulsion. In this, it's as if the accusers are trying to get a piece of the accused with their preconceived notion of Elisabeth, the unfit mother. With the strong performance from Reinsve, Armand is a commendable first feature from a promising young director. Armand receives will have limited theatrical release on Friday 2/7 at IFC Center. Nationwide release will follow.