Clocking at 111 minutes, Hong Sangsoo's new film, By the Stream, is perhaps the most busily plotted and the most sinewy among his recent output. It touches on many of Hong's preoccupations and reflexive filmmaking, along with the recent surge of the Korean feminist movement.
It concerns a disgraced actor, now a small bookstore owner Siyeon (Kwon Hyeho) in Kangwon province, being invited to stage a play in the year end festival in a women's university in Seoul, by his niece Jeonim (Kim Minhee) that he hadn't seen for years. It turns out that he is a last minute replacement, because the young director who was in charge of the production was dismissed because he slept with 3 of the cast members. The actor sees this opportunity as a kind of redeemable occasion which would rekindle his passion for art as he felt when he first started his career, which happens to be at the same university long ago.
Jeonim, in her early 40s, is living a quiet, uneventful life as a textile artist and working at the university. She is first seen sketching in her notebook by the steam in earth colored Fall attire. It was the university's department chair Jeong (Cho Yunhee) who gave her the job and trusted her and became a big sister figure in her life. It turns out Jeong is a big fan of Siyeon as an actor and really wanted to meet him. After a couple of drinking occasions and some grilled eels, the actor and Jeong get along swimmingly and that makes Jeonim a little uneasy and jealous. In the meantime, with new materials that Siyeon wrote, the 4-female play team rehearses their play under his guidance. The young women are eager and full of optimism in their expression of joy and outlook- the way only not-yet-jaded-by-life young people say and behave.
Jeonim confronts the young director (Ha Seongguk) who was let go, when he comes back into the university campus to talk to one of the girls he professed his love for. His remorseless behavior and demands to get his job back and his material being staged receives Jeonim's contempt and anger. Her reaction is almost feral.
When the young man makes a second appearance to propose to one of the girls, Siyeon steps in and has a talk with the young man. We don't get to see what's being said.
Hong leaves a lot of threads messy and untidy, unlike Jeonim's textile patterns with intricate designs. What really happened to Siyeon the actor? What made Jeonim content with her life? Why did their play receive poorly and why did the dean of the school want to talk to Siyeon? It Doesn't matter. Hong's characters interactions are delicious as always. It's a change of pace from his minimalist work with his last couple of outings, even the Isabelle Huppert starring A Traveler's Needs that came out this year as well.
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