Steeped heavily in literary references, Quebecois filmmaker Olivier Godin's Les arts de la parole follows the trials and tribulations of detective Koroviev (Michael Yaroshevsky). With a leather patch over his eye, Koroviev is a studious and sensitive fella who teaches poetry in a brigade of police poets. He and his 'singing detective' partner Margerie (Michel Faubert) are put on the duty of keeping a watch (through the peephole) on Clemént (Etienne Pilon), a bank robber. Soon Koroviev is out with Clemént at a jazz club where his son plays saxophone. The musician doesn't know that Koroviev is his dad though, and Koroviev doesn't ever seem to have a chance to tell him the fact. The detective is in search of a bible annotated by Pierre Maheu, his literary hero and the captain of the legendary ship, St. Elias.
Koroviev sees Coriandre (Jennyfer Desbiens), a pre-Rafaelite beauty with heavy eyelids on stage and gets smitten. Margerie also pursues her by singing to her on the phone, much to Koroviev's displeasure. Coriandre knows Maheu because he lived in a house next to her dad's in the countryside.
With its droll humor and painterly framing and dissolves, Les arts de la parole strongly resembles '80s Godard. Add the crime genre elements, Vertigo style dualism and full of quirky characters, you got a charming, entertaining film.
