I haven't seen this up until now. I'm a bad person I know. Moonlight, by Barry Jenkins, is the antithesis of everything an American movies is- loud, overwritten and flat. Obvious influence here is films of WKW, to the point of almost distracting. Still, it owes a lot to its visual and aural landscape. Let's face it, no one is going to see a poor gay black boy on screen however authentic the film is. But despite all the stylings, the film's authenticity comes from its characters. There are no voice overs or heavy handed monologues. Jenkins lightly sketches out the three stages of life of Chiron, unsure of his identity and his place in the world and important people in his life. And it's those things unsaid, negative spaces, sporadic dialog that give the film its emotional heft. The ending is just about perfect.
It's a beautiful film. Can't wait to see If Beale Street Could Talk.
