Leighton Pierce's long exposed vivid images go from familiar cityscapes (subway platform, lighting fixtures, neon streets at night) to nature - trees, clouds, night sky and water. Everything is heightened with the help of appropriate location sound - the moon and the stars dance around making squiggly lines across the sky. Distant car headlights leave multi-color trail-marks in the dark forest. The images become more and more dizzing and impressionistic. White Ash is a beautiful study in different lights and the effects of long exposure: soft lights, like indoor household lights and the daytime sky, flourescent lights in the subway make vivid squares, harder lights make trails. Besides scapes and nature, we have sketches of human bodies in water and cloud formations from the plane. Gorgeous stuff.
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