Sunday, February 5, 2017

Bogey(wo)man

Female Prisoner Scorpion: Beast Stable (1973) - Ito
Screen Shot 2017-01-23 at 10.16.58 AM
Screen Shot 2017-01-23 at 10.18.02 AM
Screen Shot 2017-01-23 at 10.46.22 AM
Screen Shot 2017-01-23 at 10.18.43 AM
Screen Shot 2017-01-23 at 10.26.09 AM
Screen Shot 2017-01-23 at 10.26.32 AM
Screen Shot 2017-01-23 at 10.25.40 AM
Third in the Female Prisoner 701 series, Beast Stable finds Sasori (Scorpion, played by steely eyed Meiko Kaji) hacking off an arm of a pursuing detective with a kitchen knife in the subway even before the credits roll. It's not a chicks in prison movie as much as a girl on the run fugitive movie. The premise is lurid and way over melodramatic with a storyline involving Sasori's aide Yuki, a street walker with a retarded brother she regularly has sex with. But Toei studio director Shunya Ito (who has directed the first 3 Female Prisoner movies to critical acclaim) has enough flair for visuals to keep things interesting. Indeed, a nod to Yojimbo and the Third Man-esque sewer chase scenes have enough artistry to rise above its mere exploitation label the series is accustomed to.

Like a ninja, Sasori hunts down every man and woman who done her and Yuki and some other prostitute wrong and brings down a surgical scalpel to their necks. Feared by her enemies, she becomes a some kind of indestructible force, almost an imaginary boogey(wo)man by the end.

Kaji, in an almost silent, physically demanding role, lets her death-stare speak volumes as a dead-girl-incarnate for vengeance. She lets others do the baring - both soul and body. She fully becomes a persona, a symbol of vengeance, a kindred spirit of sisterhood to those who are abused. I vote Sasori for president!




No comments:

Post a Comment