Ménilmontant (1926) - Kirsanoff
With long cross-fades, handheld shots, jumpcuts and expressive close-ups and time jumps, Dimitri Kirsanoff's silent film Ménilmontant is a beauty. It tells the two country sister's journey (after their mum and dada get murdered by crazy axe wielding man) to the Paris neighborhood of the title. It's a typical melodrama of moral corruption and jealousy and redemption and stuff, but the presentation is nothing but. Nadia Sibirskaïa (Kirsanoff's wife) who plays the younger sister is a sight to behold. She is a cross btwn Anna Karina and Marion Cortillard. Her expressions in close-ups are as expressive as that of Maria Falconetti's in Joan of Arc.
Ménilmontant starts and ends with jarringly, frenetically shot and edited murder scenes. It's probably the most violent silent film I've seen but also the most lyrical. Beautiful stuff.
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