Stunningly photographed in full frame, Violet expresses the physical & emotional detachment from grief and shock after a senseless murder. The film is extremely understated and somber yet 10 times more cinematic than anything Gus Van Sant has done. Use of shallow depth of field, sparse dialog and disorienting yet highly effective sound design conveying the silent grief, first time Belgian director Bas Devos achieves something remarkable here.
Devos knows just about how long to hold a mute static shot or hover over youth inhabiting suburbia to have resonance and depth. The 7 minute one shot ending is worthy of Antonioni comparison.
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