Steve Neil (Ray Milland) is having a strange day. He gets released from an asylum after serving 2 years for poisoning his terminally ill wife. It was a mercy killing. Then he accidentally gets embroiled in a complicated Nazi plot involving a cake he won at a fair while waiting for a train to go to London 'to lead a normal, quiet life' and for some reason, everyone wants his cake: at first the ladies at the fair want it back, then on the train, it gets stolen by a man who pretends to be blind, who then dies in an air-raid. What the hell is going on?
This tight Graham Greene espionage thriller has great atmosphere and tension throughout with air-raid prone rainy London as a backdrop. The noir lighting in this film is just as sharp as Milland's hawky features. Highlights are the one involving the séance table and the night rooftop gunfight in the rain. I wish Lang could've elaborated on the nature of hypnosis in the beginning and the wall clock pendulum and séance element a little more because most of the time Ministry of Fear feels very much like a good Hitchcock film. One can easily see the film's influence on Coen Brothers. Anyone care for this slice of cake?
You didn't tell me you had a betamax. You didn't tell me you were from Korea.
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