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Through Veiko Õunpuu's lenses, Estonia seems to be a fitting new setting for films about alienation of the modern society. His miserablist drama is filled with ugly buildings, construction sites. But it is also speckled with absurd humor and shot exquisitely. Most of characters are vulnerable so they resort to hurting people who are close to them. Only stable person is a gigolo doorman Theo(Taavi Eelmaa) who keeps a log of his conquests. But he ultimately finds himself a victim of the class differences. Õunpuu proves himself to be a romantic here though. At the core, his sensibilities have more in common with the privileged. His hopeless romanticism is stretched farther in his more experimental The Temptations of St. Tony. Both of which I find somewhat naive.